Re-performance of poetry composition of, 'A Bestiary of Wild Flowers', as part of a larger event, 'Writing in the Wild'. A Bestiary of Wild Flowers is a poetic response to Australian artist Sidney Nolan's Paradise Garden series of paintings. Based on the idea and practice of ekphrasis, the project consists of the researcher's poetic interpretations of Nolan's work, as arranged into three parts: Word Seeds (a haiku series), Remembrance, and Technique.

Main performance of poetry composition of, 'A Bestiary of Wild Flowers', as part of a larger event, 'As is Painting, So is Poetry', at the Lawrence Wilson Gallery in Perth. A Bestiary of Wild Flowers is a poetic response to Australian artist Sidney Nolan's Paradise Garden series of paintings. Based on the idea and practice of ekphrasis, the project consists of the researcher's poetic interpretations of Nolan's work, as arranged into three parts: Word Seeds (a haiku series), Remembrance, and Technique.

Accompanying lecture. A Bestiary of Wild Flowers is a poetic response to Australian artist Sidney Nolan's Paradise Garden series of paintings. Based on the idea and practice of ekphrasis, the project consists of the researcher's poetic interpretations of Nolan's work, as arranged into three parts: Word Seeds (a haiku series), Remembrance, and Technique.

A performance art, visual installation and blog project exploring the art of handwriting love letters in the era of mediatised communication mediums.

A contemporary opera performance and sound sculptural installation which remodels operatic narrative tropes and creates a new experience of opera performance by removing conventional divisions between performer and audience using innovative, interactive trans-media elements in a festival context.

The research output was a live, mixed media performance work for an unencumbered wireless performance interface which was used to drive all media elements. The media elements included an intelligent lighting system, audio and video. Through the use of a wearable microcontroller and sensor system designed for the project by the artists, a single performer is able to play the entire theatrical space (light, sound and video) through arm and hand gestures. This includes an intelligent moving light system that moves theatrical lights and changes light parameters in response to the performer's gestures.

This lecture analyses the earliest Australian satirical program, The Mavis Bramston Show, and demonstrates the link between live revue theatre and television variety programs over a long period, focussing on June Salter, Barry Creyton and Garry McDonald. It presents an analysis of the work of Nick Tate and his interpretation of George Johnston's Davey in the landmark tv drama series, My Brother Jack. It explores the social realism of Marian and the contribution of the young Helen Morse to this important, transformative genre of television. This video-recorded Lecture is accompanied by a set of curated television clips from the tv programs under discussion, especially prepared for the Lecture at the National Film and Sound Archive.

This performance comprised a live tele-streamed improvised music performance with live performers at Parramatta Lanes Festival, playing in real-time with performers at the Armidale Campus of the Unviersity of New England.

The research output was a live, mixed media performance work for two wireless performance interfaces. The media elements included an intelligent lighting system and audio. Through the use of two wearable microcontrollers and sensor systems designed for the project by the artists, the performers each control an element of the media in performance. One performer controls an intelligent moving light system that moves theatrical lights and changes light parameters in response to the performers gestures and the other performer controls the sound.