An introduction to the special issue "The World is not Enough: The Impact of James Bond Studies" by the editors: Jo Coghlan, Lisa J. Hackett, and Huw Nolan.

Modern and historical royal families are a popular area of scholarly interest, with power and politics the centre of much research. Royalty is also a popular area of study in a range of other areas including gender, class, material culture, celebrity studies, consumption practices, and cinematic representations. Much of what we understand about royal families comes from mediated images, meaning we see a public version of kings and queens and their children. These images are heavily curated and stage-managed, with the aim of affirming them and their values in a positive social and national light. While some royal families are in decline, others such the House of Windsor and the House of Saud remain very visible and hold significant cultural and historic value. Popular culture uses the label ‘royals’ not just for royal family members, but it is largely used to denote someone who has hit the top of the game, like Tina Turner the Queen of rock'n'roll, or those seen as the Queens of daytime TV. Disney has made a habit of endearing royalty to its audiences with its imaginary famous queens and kings. In these few examples it is apparent that royalty is mediated, romanticised, imagined, and contested within a range of historical and cultural spaces.

King Charles III has been diagnosed with cancer. This is an unexpected announcement: it is unusual for the royal family to release details of medical conditions to the public.

"Don't let the daylight in" was how British essayist Walter Bagehot advised the British monarchy to deal with the public in 1867. "[A]bove all things our royalty is to be reverenced […] its mystery is its life," he wrote.

For Queen Elizabeth II this attitude framed her response to public information about the royals, quipping "never complain, never explain". Maybe this explains why Princess Kate's recent abdominal surgery has not been disclosed to the public, with media reports saying she is "determined to keep her medical details private".

In revealing the fragility of the royal body much of the mystique about them as anointed by God fades away. But the royals' health has, occasionally, been the subject of official news, and, more commonly, the subject of gossip.

The story of Barbie is a tapestry woven with threads of cultural significance, societal shifts, and corporate narratives. It's a tale that encapsulates the evolution of American post-war capitalism, mirroring the changing tides of social norms, aspirations, and identities. Barbie's journey from Germany to Los Angeles, along the way becoming a global icon, is a testament to the power of Ruth Handler's vision and Barbie's marketing. Barbie embodies and reflects the rise of mass consumption and the early days of television advertising, where one doll could become a household name and shape the dreams of children worldwide.

The controversies and criticisms surrounding Barbie – from promoting a 'thin ideal' to perpetuating gender and racial stereotypes – highlight the complexities of representation in popular culture. Yet, Barbie's enduring message, "You can be anything", continues to inspire and empower, even as it evolves to embrace a more inclusive and diverse portrayals of power, beauty, and potential. Barbie's story is not just about a doll" it's about the aspirations she represents, the societal changes she's witnessed, and the ongoing conversation about her impact on gender roles, body image, and consumer culture. It's a narrative that continues to unfold, as Barbie adapts to the times and remains a symbol of possibility.

The longevity and universality of the James Bond franchise posits its value as pedagogy to inform ideas about gender studies and critical thinking. This article is a case study of how Bondian representations of gender stereotypes and gender politics can provide insightful ways in which gender frames can be identified, interrogated, and contested. While the focus of this article is on gender, a number of consistent themes emerge in Bond films, such as deviancy, sexuality, race, international politics, consumption and nationalism, posit the value Bond films can play in providing accessible content to university students in the development of critical thinking on a range of contemporary issues.