Live Performance Of Creative Works - Music
Permanent URI for this collection
Browse
Browsing Live Performance Of Creative Works - Music by Department "#PLACEHOLDER_PARENT_METADATA_VALUE#"
Results Per Page
Sort Options
- PublicationFLO and Friends: City Jam Melbourne, Australia(Testing Grounds, 2019-06-01)
;Brown, Nela ;Wilkie, Sonia; ;Mannone, Maria ;Tomioka, Fumi ;Kawashita, AkiLangley, SusannaFLO (Female Laptop Orchestra) is an all-female, internet based, networked, music ensemble exploring online global, multi-location music performance. This output comprises a 6 minute live tele-improvised performance took place at the Testing Grounds, Melbourne on June 1, 2019. The performance featured 4 musicians, including 2 live performers at Testing Grounds, 1 performer in Sydney and 1 performer in Italy. The performers were also joined by a digital drawing artist in Melbourne.
The performance was an improvised response to video streamed performance of 2 Japanese based dancers in woodlands in Tokyo, Japan. The performance explored a number of emergent technologies including Live Shout and Soundjack and comprised an eclectic mix of sound sources, including pre-recorded samples and field recordings and live processed vocals.
The project investigates the integration of a number of emerging technologies and compositional approaches to live performance with inherent latency brought about by the technologies in use. The performance was supported by a competitive artist residency at Macgeorge House along with Melbourne University, Testing Grounds, Rode Microphones and Audio Technica technology company. - PublicationHow to Build a BillyThis opera responds to the question of how chamber opera can involve aspects of the cabaret aesthetic. The opera is a dark satire of many character and narrative opera tropes and mediates them through the cabaret aesthetic mixed with humour, slight-of-hand, physical comedy and burlesque. The opera has been performed in bars, cabaret venues and small theatres which contribute to its cabaret aesthetic. The show challenges traditional female relationships in opera and centres on the body of a dead man instead of a dead woman as so many canonic operas do.
- PublicationOxygen ThiefOxygen Thief is an 8 minute composition for voice, eMic and Wearable controllers. The piece explores the use of wearable technology in a popular music context.
- PublicationRe-Growth?(2021-12-16)
There has never been a time when the human species has been forced to interrogate its recalcitrant attitudes and behaviours towards the environment on such a global scale. Extreme drought, lack of water, deliberately lit fires, air degradation, famine, floods, tornados, and virulent pandemics, have been unusually precocious and persistent in the New England region since 2019, threatening the human species to the core. It's not over. How do we reset? Are we capable of caring for and sharing country as the first nations have shown us?
Re-Growth? investigates the four vital elements needed for life here on earth, sunlight (fire), water, air, land (earth). In 4 movements we delve below and above the surfaces seeking a "re-tuning" of man/ nature relationships to reset the ecological balance we are destroying through stupidity, greed, and lack of action. From the chords derived from the Narrabri radio telescopes to the aeolian harps played by the wind at Moonbi, we plunge into the almost silent waters of the fracked Artesian basin, ruined for ever at Cohuna Bore. We listen to the dialogues of freshwater species in Dumaresq Dam and hear the playing in country by recorder player Alana Blackburn at Anderson's Creek, Death Valley, one of the slowest places to recover in the region. She calls us to action to care and share in interspecies dialogues with underwater creatures, and threatened koalas, finally taking hope and resilience from the world's oldest songbird, the lyrebird, as we gasp for breath from air pollution and Covid.