Live Performance Of Creative Works - Music

Browse

Recent Submissions

Now showing 1 - 5 of 11
  • Publication
    Re-Growth?
    (2021-12-16)

    There has never been a time when the human species has been forced to interrogate its recalcitrant attitudes and behaviours towards the environment on such a global scale. Extreme drought, lack of water, deliberately lit fires, air degradation, famine, floods, tornados, and virulent pandemics, have been unusually precocious and persistent in the New England region since 2019, threatening the human species to the core. It's not over. How do we reset? Are we capable of caring for and sharing country as the first nations have shown us?

    Re-Growth? investigates the four vital elements needed for life here on earth, sunlight (fire), water, air, land (earth). In 4 movements we delve below and above the surfaces seeking a "re-tuning" of man/ nature relationships to reset the ecological balance we are destroying through stupidity, greed, and lack of action. From the chords derived from the Narrabri radio telescopes to the aeolian harps played by the wind at Moonbi, we plunge into the almost silent waters of the fracked Artesian basin, ruined for ever at Cohuna Bore. We listen to the dialogues of freshwater species in Dumaresq Dam and hear the playing in country by recorder player Alana Blackburn at Anderson's Creek, Death Valley, one of the slowest places to recover in the region. She calls us to action to care and share in interspecies dialogues with underwater creatures, and threatened koalas, finally taking hope and resilience from the world's oldest songbird, the lyrebird, as we gasp for breath from air pollution and Covid.

  • Publication
    How to Build a Billy
    (Australian Music Centre, 2018-07-19)
    This opera responds to the question of how chamber opera can involve aspects of the cabaret aesthetic. The opera is a dark satire of many character and narrative opera tropes and mediates them through the cabaret aesthetic mixed with humour, slight-of-hand, physical comedy and burlesque. The opera has been performed in bars, cabaret venues and small theatres which contribute to its cabaret aesthetic. The show challenges traditional female relationships in opera and centres on the body of a dead man instead of a dead woman as so many canonic operas do.
  • Publication
    FLO and Friends: City Jam Zagreb, Croatia
    (University of Zagreb, Academy of Music, 2019-06-21)
    Brown, Nela
    ;
    Chudy, Magdalena
    ;
    ;
    Stolfi, Ariane
    ;
    Mathea Hoel, Ada
    ;
    Penezic, Renata
    ;
    Esih, Marija
    ;
    Klaric Mimica, Danijela
    ;
    Ljubicic, Lidija
    ;
    Novak, Marina
    This concert program consisted of two telematic, multi-channel works with internet and mobile audio streams, responding to audio-visual, streamed, dance performances, ‘Hands and Vase’ and ‘Walking in Lines’. The nature of the works explored approaches to combined remote located performers with live performers in traditional performances space with a live audience. The performance featured the FLO (Female Laptop orchestra) in collaboration with the Zagreb Flute Ensemble (ZAF), the later who were performing live in the performance space at Academy of Music, University of Zagreb/4 SYRINX along with Nela Brown (HR). FLO is an all-female, internet based, networked music ensemble exploring online global, multi-location music performance. The remote musicians included pianist Magdalena Chudy (PL), Donna Hewitt (AU) samples, voice and audio processing, Ariane Stolfi (Br), Ada Mathea Hoel (NO) and the dancers responsible for the video works were Fumi Tomioka (JP) and Aki Kawashita (JP). The performance integrated a number of emerging technologies including mobile phone and internet application Live Shout, along with internet streaming technology Soundjack and Ableton Live. The performance comprised an eclectic mix of sound sources, including live extended flute performance and pre-recorded field recordings.
  • Publication
    Where the Yarra Meets Darebin
    (Macgeorge House, 2019-05-26)
    Brown, Nela
    ;
    Wilkie, Sonia
    ;
    ;
    Stolfi, Ariane
    ;
    Supski, Kylie
    ;
    Butcher, ReVerse
    ;
    Frencham, Michelle
    Where Yarra Meets Darebin live tele-improvised performance by FLO, (Female Laptop Orchestra) an all-female, networked music ensemble. The original performance took place at the Macgeorge House on May 2019 and featured 2 live performers located by the Darebin River, 1 performer on site in Rose Bay Wharf, Sydney and 1 performer in London. The performance explored a number of emergent technologies including Live Shout and Soundjack and comprised an eclectic mix of sound sources, including pre-recorded and live field recordings from significant locations. The sounds captured on site at Rose Bay wharf were fed into Live Shout mobile phone application and utilised hand-made resonators to enhance and filter the sounds from the harbour environment. The work pays tribute to the sonic inspirations of the significant locations and is a significant contribution by women working in this field.
  • Publication
    EO + FLO: Live at Halfback Books & Records Sydney, Australia
    (Halfback Books & Records, 2019-06-06)
    Brown, Nela
    ;
    Wilkie, Sonia
    ;
    ;
    Ikkache, Lea
    ;
    Mills, Roger
    ;
    Chilan, Mir Shahab
    ;
    Vine, Chris
    ;
    Deuter, Holger
    This output comprises a concert of telematic performance collaboration with live electronics, voice processing, trumpet, traditional Persian instruments balabanand dozaleh, piano, electric guitar, and soundscapes from Dee Why beach. This was the first collaboration between the Ethernet Orchestra and Female Laptop Orchestra (FLO). Both orchestras are internet-based musical ensemble that explore improvisation through networked musical performances on the web. FLO is unique it that it is an all-female ensemble. FLO performers included: Nela Brown (HR), Sonia Wilkie (AU), Donna Hewitt (AU), Léa Ikkache (FR). Ethernet Orchestra (EO) performers included: Roger Mills (AU), Mir Shahab Chilan (IR), Chris Vine (BR), Holger Deuter(DE). The performance integrated a number of emerging, web-based technologies as well as mobile phone and internet applications including Live Shout, Soundjack and Ableton Live. Hewitt designed a performance framework within Ableton Live to support playback and manipulation of pre-recorded sound materials along with live vocal processing.