Live Performance Of Creative Works - Music
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- PublicationEO + FLO: Live at Halfback Books & Records Sydney, Australia(Halfback Books & Records, 2019-06-06)
;Brown, Nela ;Wilkie, Sonia; ;Ikkache, Lea ;Mills, Roger ;Chilan, Mir Shahab ;Vine, ChrisDeuter, HolgerThis output comprises a concert of telematic performance collaboration with live electronics, voice processing, trumpet, traditional Persian instruments balabanand dozaleh, piano, electric guitar, and soundscapes from Dee Why beach. This was the first collaboration between the Ethernet Orchestra and Female Laptop Orchestra (FLO). Both orchestras are internet-based musical ensemble that explore improvisation through networked musical performances on the web. FLO is unique it that it is an all-female ensemble. FLO performers included: Nela Brown (HR), Sonia Wilkie (AU), Donna Hewitt (AU), Léa Ikkache (FR). Ethernet Orchestra (EO) performers included: Roger Mills (AU), Mir Shahab Chilan (IR), Chris Vine (BR), Holger Deuter(DE). The performance integrated a number of emerging, web-based technologies as well as mobile phone and internet applications including Live Shout, Soundjack and Ableton Live. Hewitt designed a performance framework within Ableton Live to support playback and manipulation of pre-recorded sound materials along with live vocal processing. - PublicationFLO and Friends: City Jam Melbourne, Australia(Testing Grounds, 2019-06-01)
;Brown, Nela ;Wilkie, Sonia; ;Mannone, Maria ;Tomioka, Fumi ;Kawashita, AkiLangley, SusannaFLO (Female Laptop Orchestra) is an all-female, internet based, networked, music ensemble exploring online global, multi-location music performance. This output comprises a 6 minute live tele-improvised performance took place at the Testing Grounds, Melbourne on June 1, 2019. The performance featured 4 musicians, including 2 live performers at Testing Grounds, 1 performer in Sydney and 1 performer in Italy. The performers were also joined by a digital drawing artist in Melbourne.
The performance was an improvised response to video streamed performance of 2 Japanese based dancers in woodlands in Tokyo, Japan. The performance explored a number of emergent technologies including Live Shout and Soundjack and comprised an eclectic mix of sound sources, including pre-recorded samples and field recordings and live processed vocals.
The project investigates the integration of a number of emerging technologies and compositional approaches to live performance with inherent latency brought about by the technologies in use. The performance was supported by a competitive artist residency at Macgeorge House along with Melbourne University, Testing Grounds, Rode Microphones and Audio Technica technology company. - PublicationFLO and Friends: City Jam Zagreb, Croatia(University of Zagreb, Academy of Music, 2019-06-21)
;Brown, Nela ;Chudy, Magdalena; ;Stolfi, Ariane ;Mathea Hoel, Ada ;Penezic, Renata ;Esih, Marija ;Klaric Mimica, Danijela ;Ljubicic, LidijaNovak, MarinaThis concert program consisted of two telematic, multi-channel works with internet and mobile audio streams, responding to audio-visual, streamed, dance performances, ‘Hands and Vase’ and ‘Walking in Lines’. The nature of the works explored approaches to combined remote located performers with live performers in traditional performances space with a live audience. The performance featured the FLO (Female Laptop orchestra) in collaboration with the Zagreb Flute Ensemble (ZAF), the later who were performing live in the performance space at Academy of Music, University of Zagreb/4 SYRINX along with Nela Brown (HR). FLO is an all-female, internet based, networked music ensemble exploring online global, multi-location music performance. The remote musicians included pianist Magdalena Chudy (PL), Donna Hewitt (AU) samples, voice and audio processing, Ariane Stolfi (Br), Ada Mathea Hoel (NO) and the dancers responsible for the video works were Fumi Tomioka (JP) and Aki Kawashita (JP). The performance integrated a number of emerging technologies including mobile phone and internet application Live Shout, along with internet streaming technology Soundjack and Ableton Live. The performance comprised an eclectic mix of sound sources, including live extended flute performance and pre-recorded field recordings. - PublicationFragments, Figures, Fables(New England Regional Art Museum (NERAM), 2020-05-24)
; ; Sydney Improvised Music Association (SIMA): AustraliaWe live in a rapidly changing world; however, no one expected an event like the COVID-19 pandemic and the impact it would have on every person, in every industry, including the arts. This performance has taken a cultural historical method to investigate the importance of music and storytelling to maintain good health and happiness during times of pestilence. This research also explores language and communication through improvisatory musical accompaniment, combining musical works implied in Boccaccio’s Decameron, and 21st century repertoire drawing on nature and birdsong. - PublicationHow to Build a BillyThis opera responds to the question of how chamber opera can involve aspects of the cabaret aesthetic. The opera is a dark satire of many character and narrative opera tropes and mediates them through the cabaret aesthetic mixed with humour, slight-of-hand, physical comedy and burlesque. The opera has been performed in bars, cabaret venues and small theatres which contribute to its cabaret aesthetic. The show challenges traditional female relationships in opera and centres on the body of a dead man instead of a dead woman as so many canonic operas do.
- PublicationOxygen ThiefOxygen Thief is an 8 minute composition for voice, eMic and Wearable controllers. The piece explores the use of wearable technology in a popular music context.
- PublicationThe Pomegranate Cycle(Brisbane Festival, Under the Radar, 2010)
;Klein, Eve ;Yeo, Narrell ;Evans, LizGlasser-Vora, RaviA contemporary opera performance which critiques and remodels operatic narrative tropes of female violence, rape and death. Work also explores the use of improvisation and live sonic processing techniques for opera singers during performance. - PublicationRe-Growth?(2021-12-16)
There has never been a time when the human species has been forced to interrogate its recalcitrant attitudes and behaviours towards the environment on such a global scale. Extreme drought, lack of water, deliberately lit fires, air degradation, famine, floods, tornados, and virulent pandemics, have been unusually precocious and persistent in the New England region since 2019, threatening the human species to the core. It's not over. How do we reset? Are we capable of caring for and sharing country as the first nations have shown us?
Re-Growth? investigates the four vital elements needed for life here on earth, sunlight (fire), water, air, land (earth). In 4 movements we delve below and above the surfaces seeking a "re-tuning" of man/ nature relationships to reset the ecological balance we are destroying through stupidity, greed, and lack of action. From the chords derived from the Narrabri radio telescopes to the aeolian harps played by the wind at Moonbi, we plunge into the almost silent waters of the fracked Artesian basin, ruined for ever at Cohuna Bore. We listen to the dialogues of freshwater species in Dumaresq Dam and hear the playing in country by recorder player Alana Blackburn at Anderson's Creek, Death Valley, one of the slowest places to recover in the region. She calls us to action to care and share in interspecies dialogues with underwater creatures, and threatened koalas, finally taking hope and resilience from the world's oldest songbird, the lyrebird, as we gasp for breath from air pollution and Covid.
- PublicationReflectionsReflections explores the sonic properties of a range of recorders against electronic fixed media (processed and unprocessed sounds, or soundscape). This program investigates and demonstrates the variety of sound possibilities the instruments can produce through traditional and contemporary performance practice. Featuring mostly female Australian composers, each piece presents a particular reflection of the instrument’s past through integration with fixed media. Reflections has two meanings in this program: the improvisation and interaction between the live performer and the pre-recorded material, and the concepts of the pieces themselves. In the first instance, reflections refers to the improvisatory mimicking of pre-recorded material by the live performer; expanding and weaving musical and gestural motifs to contrast and assimilate live and recorded performance. With an early music heritage and a rebirth within the contemporary environment, the second references the recorder and its music, how these eras can be reflected by crossing sound, playing techniques and representation. Program: Loops (1983) - Ros Bandt, Permafrost (2019) world premiere - Donna Hewitt, Sweet Flute (2007) - Thomas Reiner/Katrina Dowling, Kage (2000) - Roderik de Man
- PublicationSenex et Sonis: Old SoundsSenex et Sonis: Old Sounds. This program explores the recorder, its representations and its repertoire throughout history. Creating a crossover between the historical performance practice of early medieval and renaissance pieces and today’s contemporary electroacoustic environment, the performers create a synthesis of sound, through the juxtaposition of contemporary and early repertoire. The unique position of recorder players allows them to draw on knowledge of centuries of literature to enable the performers to take the audience through a sound world like none other. With over 20 different instruments, live electronic manipulation, improvisation, experimentation, visual media and new works by Australian composers, The Recorder Project successfully push the boundaries of one of the world’s oldest, unchanged instruments. Each piece performed in this program has a direct link to nature and includes 3 world premieres and an Australian premiere. Program: Codextant: Medieval Immersions in New England (2015) World Premiere - Eve Klein Earth Breeze Smoke (2008) Australian Premiere - Matthew Shlomowitz
- PublicationWhere the Yarra Meets Darebin(Macgeorge House, 2019-05-26)
;Brown, Nela ;Wilkie, Sonia; ;Stolfi, Ariane ;Supski, Kylie ;Butcher, ReVerseFrencham, MichelleWhere Yarra Meets Darebin live tele-improvised performance by FLO, (Female Laptop Orchestra) an all-female, networked music ensemble. The original performance took place at the Macgeorge House on May 2019 and featured 2 live performers located by the Darebin River, 1 performer on site in Rose Bay Wharf, Sydney and 1 performer in London. The performance explored a number of emergent technologies including Live Shout and Soundjack and comprised an eclectic mix of sound sources, including pre-recorded and live field recordings from significant locations. The sounds captured on site at Rose Bay wharf were fed into Live Shout mobile phone application and utilised hand-made resonators to enhance and filter the sounds from the harbour environment. The work pays tribute to the sonic inspirations of the significant locations and is a significant contribution by women working in this field.